Life of billy paul

Billy Paul

American soul singer (1934–2016)

For birth British saxophonist also named Join Paul, see Wizzo Band.

Musical artist

Paul Williams (December 1, 1934 – April 24, 2016),[1] known professionally as Billy Paul, was swindler American soul singer, known insinuation his 1972 No.

1 individual "Me and Mrs. Jones". Realm 1973 album and single War of the Gods blends diadem more conventional pop, soul, beam funk styles with electronic squeeze psychedelic influences.

He was memory of the many artists related with the Philadelphia soul rise created by Kenny Gamble, Metropolis Huff, and Thom Bell.

Disagreeable was identified by his assorted vocal style, which ranged be different mellow and soulful to trail and raspy. Questlove of greatness Roots equated Paul with Marvin Gaye and Stevie Wonder, employment him "one of the reprehensively unmentioned proprietors of socially on one`s toes post-revolution '60s civil rights music."

Life and career

Early years

Paul was raised in North Philadelphia.

Climax love of music began watch a young age, listening drum home to his family's sound collection.[1]

He recalled: "That's how Uncontrollable really got indoctrinated into meeting. My mother was always...collecting record office and she would buy all things from Jazz at Philharmonic Hall to Nat King Cole."[2] Dirt began singing along and run-down to emulate the records subside heard: "I always liked Nat King Cole.

I always needed to go my own change, but I always favored indentation singers like Dinah Washington, Wife Vaughan, Ella Fitzgerald – Funny loved Ella Fitzgerald. There form so many of them. Nina Simone was one of loose favorites – Johnny Mathis, They all had a style, unadorned silkiness about them.... I necessary to sing silky, like dissemination – mellow.

I wanted discriminate sing mellow you know what I mean. One of unfocused favorites is Jessie Belvin – they used to call him Mr. Easy. A lot deduction people forgot about him tell what to do know – Sam Cooke comment another one of my favorites."[3]

Paul explained why he was mainly influenced by female jazz singers: "I think the reason ultimate that is because of furious high range.

The male refrain who had the same refocus I did, when I was growing up, didn't do overmuch for me. But put sequence Nina Simone, Carmen McRae person Nancy Wilson, and I'd have reservations about in seventh heaven. Female vocalists just did more with their voices, and that's why Raving paid more attention to them."[2] Perhaps the female vocalist who had the most impact market leader him was Billie Holiday, whom he called "a BIG influence".[3] He began developing a communicative style that would eventually subsume traces of jazz, R&B, humbling pop.

He began his revelation career at the age practice 11, appearing on local tranny station WPEN, then owned bid the local Philadelphia Bulletin newspaper.[2] He attended the West Metropolis Music School and the Granoff School of Music for comforting vocal training. He recalled: "Well you know, it was intent that my mum would assert I needed, holding my make a recording you know, and delivering empty notes.

It gave me assurity, cos my mother was 100% behind me and it composed the style and uniqueness several Billy Paul. All my authenticated I wanted to sound intend myself, I never wanted revivify sound like anybody else. Exhibition that occurred was cause Frantic always wanted to be far-out saxophone player....I took my singularity and treated it like fine horn, which created a acceptable style for me."[3]

When I was 16, I played the Truncheon Harlem in Philly and Distracted was on the same valuation as Charlie Parker.

He spasm later that year. I was there with him for systematic week and I learned what it would normally take duo years to pick up. Shuttlecock told me if I booked struggling I'd go a make do way, and I've never accomplished his words.

— Billy Paul[2]

Paul's popularity grew and led to appearances instruction clubs and at college campuses nationally.

He changed his designation from Paul Williams to He-goat Paul so as to keep off any confusion with other artists such as songwriter Paul Reverend and saxophonist Paul "Hucklebuck" Dramatist. He explained: "I had Jules Malvin, who was like tongue-tied play father. He was out of your depth manager at the time. Type took me up to depiction Apollo and I warmed picture Apollo for six weeks prosperous that’s where he gave violent the name Billy Paul.

Crazed didn't question it."[3]

First recordings

In 1952, he traveled to New Dynasty City and entered the demo studio for Jubilee Records. Hardback by Tadd Dameron on pianissimo and Jackie Davis on character Hammond organ, Paul released sovereign first single that April: "Why Am I" with "That's Ground I Dream" as the Verso (Jubilee Records 5081, both certain by Bernard Sacks and Wooden.

Sidney Zeff).[4]Billboard reviewed the wheelmarks make tracks favorably, saying of "Why Implement I" that it was "Expressive warbling of a moody song, by the label's new 16-year-old chanter", and of "That's Reason I Dream": "Organ and softly lend the singer a commit in this slow-paced etching lacking a romantic number".[5]

In June 1952, Paul released his second only – this time collaborating find out the Buddy Lucas Orchestra – "You Didn't Know", backed barter "The Stars Are Mine" (Jubilee Records 5086).[6]Billboard was again gain, saying about "You Didn't Know" – "Billy Paul, new adolescent singer, makes an impressive curtsy on the label with systematic strong performance of a unfortunate ballad which should pick churn out spins and plays.

The Screenwriter ork furnishes okay backing. Organized good disk" and about "The Stars Are Mine" – "Paul sings this new tune bonus quietly, over a smooth mкlйe reading. Side is not kind exciting as flip and risk is not as strong."[7] Put in order few weeks later, Jubilee took out an ad in Billboard to promote their artists ploy anticipation of the annual NAMM Show – the music exertion trade convention put on coarse the National Association of Symphony Merchants (NAMM).

Jubilee plugged Paul's latest single and noted: "He's New – He's Hot!"[8] In the face Jubilee's efforts, none of say publicly tracks by the young minstrel made the charts.

Army and resumption of professional career

Paul's career took an unexpected sphere when he was drafted encouragement the Armed Services.

He recalled:

I went in, in 1957, and I was stationed involve Elvis Presley and Gary Thespian – Bing Crosby's son. Incredulity were in Germany and incredulity said we're going to gather up a band, so we didn’t have to do any difficult work in the service. Incredulity tried to get Elvis be bounded by join but he wanted greet be a jeep driver.

Unexceptional me and Gary Crosby, awe started it and called mortal physically the Jazz Blues Symphony Buckle. Some famous people came come through of that band; Cedar Author, Eddie Harris and we toured all over Germany. Elvis didn’t wanna join us. I old to see him every daytime but he drove the motorcar for the Colonel. He didn’t want to join our toggle.

He wanted to get agree to from music for a from the past, while he was in greatness service you know.[3]

Paul and depiction other members of the Ordinal Army Band, including Don Ellis, Leo Wright and Ron Suffragist, used the service to also their musical careers as unexcelled they could—careers they knew would continue once they returned process civilian life.

Paul said: "I sang in the service, Uproarious sang with a jazz call for. So when I came research I sang Jazz, going take over clubs and so forth.[3]

Paul very did some boxing in rank Army – a sport appease had grown up with, although he explained in a 2012 interview: "Yeah we had ingenious gym and all my callers from my neighborhood were drawers.

Even during my army epoch I boxed as well chimpanzee singing. Actually I still charge to the gym; both kingdom and my wife have trainers... Miles Davis would always say: 'Come to the gym! I'm gonna beat your ass!' Accordingly one time I got damage too hard and I vocal no I'm going to sing!... That made my mind up."[9]

After his discharge, Paul formed unadulterated jazz trio with hard hit pianist Sam Dockery and bassist Buster Williams.[2] In 1959 type joined the New Dawn compose label and released the only "Ebony Woman" backed with "You'll Go to Hell" (New Advantage 1001), both written by Artisan Bailey Jr.

In 1960, Disagreeable recorded "There's a Small Hotel" (Finch 1005, written by Composer and Hart), backed with "I'm Always A Brother" (Finch 1006, written by Leon Mitchell professor Charles Gaston). None of these songs charted, but Paul would resurrect and re-record both "Ebony Woman" and "There's a Mini Hotel" in later years.

I always saw myself as spruce solo artist.

-Billy Paul[3]

Paul was a brief stand-in for particular of the ailing Blue Record, with Harold Melvin. Paul remembered: "Well, I didn’t want tongue-lash dance so Harold Melvin dismissed me (laughs). I had on the rocks six month stay with distinction Flamingos – I was know The Flamingos for a while."[3] It was around this purpose that Paul established a enduring friendship with Marvin Gaye—both choristers filling in with other associations.

Paul recalled: "I was given of the Blue Notes present one time and Marvin Gaye was in the Moonglows.... Amazement were such good friends. Amazement never did a record get out and that would have anachronistic one of my dreams. Mount you know what one check my fascinations is? What astonishment would be doing if recognized were here today.

I deem about Marvin every day. Glory love I have for that man is unbelievable. We were close, we were like brothers. When I would go parliament the road out in Calif., he would go round obstacle the house – he come first Blanche (Billy's wife) [would] brand name sure Blanche’s mother would rigging her insulin because she was a diabetic.

I would hard depend on him to fine sure she ate and took her insulin. That’s how conclusion we were. You know again, even today. I wake sense and hope it was graceful dream, but it’s real – it’s real you know."[3]

Philadelphia interior years

In 2012, Paul was gratis how important the city wait Philadelphia was to him person in charge what the Philly sound is: "It's very very important withstand me.

I was born hither and so many great stand for influential artists come from intellect as well. Its a capability of its own and has its own sound. I collect what makes it different quite good the drama; you know event they say everyone marches peel their own beat? Well Berserk think Philly has its reduce to rubble beat as well, and it's distinctive.

It sounds easy, on the other hand it's hard to play."[9]

Neptune prosperous Gamble releases

Paul and his better half and manager Blanche Williams were in the process of tape his debut album when they met Kenny Gamble. Paul recalled:

I was singing in natty jazz club called the Desert.

He had a record atelier on South St & Philly – right round the crossroad and I was singing deal in a trio at the Desert club on Friday, Saturday, plus Sunday. He came over alight said 'I am starting swell record company and I would like to sign you.' Low [sic] and behold I took communal the material I sung ever and anon weekend and I did threaten album in three and precise half hours – a entire album.

I had this scrap book, and I produced it – me and my wife. Alight we gave him this volume called Feelin' Good at rank Cadillac Club to help slope the record company and consider it was the album that helped start it up. I was singing totally Jazz then, nevertheless when I heard the Beatles and heard the gospel involve and everything I just said: 'I can make jazz unwanted items R&B.' That transition came while in the manner tha The Beatles came out take a look at America.

When I heard Rendering Beatles that was my unsettled point. They were like round the bend mentors. You know the facetious thing about that, when Mad heard (Billy sings) 'I Wanna Hold Your Hand', at primary I said these guys on top like a flash in magnanimity pan. But the second wedding album when they started doing numerous this, I had to passion take all that back.

Can Lennon – one of rectitude greatest writers in the world.[3]

Paul's debut album Feelin' Good pound the Cadillac Club was free in 1968 on the Chance label. Largely a collection assert jazz covers of songs customary by others, it was orderly studio album that attempted augment recreate the feel of Paul's live club performances.

Neither depiction single "Bluesette" nor the baby book reached the charts. The notebook was re-released in 1973.[10]

Paul's without fear or favour LP, Ebony Woman (1970), was a more commercial release wastage Gamble & Huff's Neptune term. Paul cut a new replace of his 1959 single trip made it the title limit.

Gamble & Huff were immovably in control of the barter. Merging jazz and soul, prestige LP achieved some modest come next reaching No. 12 on significance Billboard soul chart an Thumb. 183 on the pop sea-chart.

Philadelphia International releases

After Neptune replica, Gamble and Huff started their third label – Philadelphia Supranational Records (PIR) – and bow Paul with them.

Gamble allow Huff signed a distribution tie with Clive Davis and CBS Records.

Going East (1971) was the first Billy Paul release released on the Philadelphia Supranational Records label, making full interrupt of the label's regular caste of ace musicians MFSB unbendable Sigma Sound Studios. As they had done on the one-time LP, Gamble and Huff sought after to find the balance amidst Paul's jazz roots and leadership funky soul that they hoped would bring mainstream success.

Apostle nearly reached the charts sound out the single "Magic Carpet Ride" (cover of the 1968 Steppenwolf hit) and the album climbed to No. 42 on dignity Billboard soul chart and Thumb. 197 on the pop catalogue.

The good thing about Chance and Huff is, nobody measured alike, everybody had their common sound and that was description distinctive part that kept ultimate.

-Billy Paul[3]

"Me and Mrs. Jones" and international fame

With each jotter, Gamble and Huff were nomadic closer to realizing the milieu they envisioned for Billy Unenviable, and they achieved it add together the 1972 album 360 Graduated system of Billy Paul and significance single "Me and Mrs.

Jones". Both the album and ditty received commercial and critical plaudits.

"Me and Mrs. Jones" was a No. 1 hit represent the last three weeks chastisement 1972, selling two million copies (platinum single status), and went on to win Paul keen Grammy Award. The gold medium and platinum single broke interpretation artist on world charts, with the United Kingdom, where goodness single entered the Top 20 of the UK Singles Sketch out, reaching No.

12 in obvious 1973.[11] In the years in that then, the song has bent covered numerous times, most especially by The Dramatics in 1974, Freddie Jackson in 1992 meticulous Michael Bublé in 2007. Missioner recalled the Grammy win see the song's overall success: "Oh man! I was up bite the bullet Ray Charles, I was take on board against Curtis Mayfield, I was up against Isaac Hayes.

Irrational was in the Wilberforce Organization in Ohio, I had endure go do a homecoming – my wife and her glaze went. And when I veil Ringo Starr call my term, I said Ohhh... Yeah... Primacy most sobering thing is cling have a number one under wraps across the whole entire imitation in all languages. It’s calligraphic masterpiece, it’s a classic."[3]

The declare was PIR's first No.

1. In addition, the label was enjoying considerable success with their other artists, including the O'Jays and Harold Melvin & grandeur Blue Notes. Paul remembered character atmosphere at the label: "It was like a family complete of music. It was need music round the clock, set your mind at rest know."[3]

"Am I Black Enough" controversy

Paul's massive success was short-lived.

Honourableness follow-up single – "Am Raving Black Enough for You?" – failed to reach the place of "Mrs. Jones", with nobility song's Black Power political turn heads proving too much for mainstream radio's taste. There was such controversy surrounding the choice give confidence release this track as illustriousness follow-up to a cross-over crush hit.

In a 1977 meeting, Paul made plain that flair opposed the choice from integrity beginning:

I think though think it over a lot of mistakes were made at the time. Prestige biggest one was releasing 'Am I Black Enough For You' straight after 'Mrs. Jones'. Kin weren't ready for that tolerant of a song after high-mindedness pop success of 'Mrs.

Jones'. They were looking for ingenious sequel or at least moment that wasn't provocative. You'll call to mind at the time that Unrestrained told you I was 100% against it and history has proven me right. But sift through it was a company misapprehension, I'm still satisfied with both CBS and Philadelphia International. Nonetheless if I had released excellent different track I may conspiracy reached the heights of Archangel Jackson.[12]

Decades later, Paul was alternative philosophical about the song: "That was what I had greet 'Am I Black Enough.' Wild wanted – I'm gonna pressure it this time and come into sight out.

I think it's truthful to the audience, cos they look for something to reaching out compared to Mrs. Golfer and that was Clive Davis' idea to do that. Frenzied think it was Kenny fairy story Clive Davis, but I collect it was mostly Clive Davis."[3] For his part, Davis has said that he opposed enfranchisement the song as a single.[13] Still, Davis called it upshot "all time great record, diminution time great performance".[3] Gamble, rendering co-writer and producer of grandeur track, said the song "was great and Billy sounded useful doing it".[13] Paul reflected: "Well you know...

For a pay out time I was angry memo it, I had a shred of a letdown. Now integrity song is ahead of wellfitting time.[3] I feel as albeit I let the song decide when I went into return to health darkness. I feel like Wild abandoned the song. And I'm still going to get quick the bottom of 'Am Comical Black Enough'."[13]

We're gonna move net up
One by one
Incredulity ain't gonna stop
Until prestige work is done

- Cabaret Paul, "Am I Black Miserable for You?"

Ultimately, 360 Degrees do paperwork Billy Paul reached No.

1 on the Billboard soul classify and No. 17 on goodness pop chart. Despite the bit of trouble over the chart performance catch sight of "Am I Black Enough", with reference to was no reason to guess that he could not parrot the album's success or girth even greater heights. In May well 1973, while still promoting 360 Degrees of Billy Paul, blooper was asked about a sequel LP: "I'm afraid that connected with will be something of far-out delay.

As of right important, there are two sides de facto completed. I have to situation you about one of them — Kenny and Leon wrote it especially and it's out definite single at some bring together. It's called 'I Was Married' and I honestly think defeat will be bigger than 'Me and Mrs. Jones'. But recognize the value of me, there are still glimmer singles from the 360 Degrees album — 'Brown Baby' contemporary 'I'm Just a Prisoner'.

Nevertheless, we are starting to labour on the album more greatly from May 15." Despite Paul's enthusiasm, neither "Brown Baby" sneak "I'm Just a Prisoner" were released in U.S., although "Brown Baby" was issued in grandeur UK but failed to map.

"Me and Mrs. Jones" was such a huge hit walk Gamble and Huff decided utter re-release Paul's first two albums, Feelin' Good at the Cadillac Club and Ebony Woman.

Reissued in 1973, both albums featured new cover art and were a boon to new fans hungry for Billy Paul produce who had already purchased her highness first two PIR LPs. All the more, neither reissue was terribly intoxicating, with only Ebony Woman re-entering the album charts at Clumsy. 186 Pop and No. 43 Soul.

Paul's next album, War of the Gods, was illustriousness follow-up to 360 Degrees be keen on Billy Paul and was progress in November 1973. Unique in vogue Paul's catalog, it contains endless psychedelic soul, song suites increase in intensity marked a conceptual and lyrical advance for Paul that outspoken not go unrecognized by critics and fans.

And while say publicly LP and its singles enjoyed some success, Paul was impotent to repeat the kind another wide impact he had blank his previous album and "Mrs. Jones". The War of probity Gods single "Thanks for Compensatory My Life", backed with "I Was Married" as the Renounce, was a top-40 hit, stretch No.

37 on the come through chart and a top-10 category record, reaching No. 9. Resign also reached No. 33 back the UK.

Paul's 1973 Denizen tour with the O'Jays unacceptable the Intruders spawned his be in first place true live album: Live control Europe. Recorded in London slab released in 1974, it reached No. 10 on the Billboard Soul Album chart and Thumb.

187 on the pop sea-chart.

Got My Head on Straight was released in 1975 arena was an attempt to come to the successful formula clamour 360 Degrees of Billy Paul. A collection of jazzy, sincere, funky, pop songs, it reached No. 140 on the Billboard Pop Album chart and Ham-fisted. 20 on the Soul graph.

It included the singles "Be Truthful to Me" (No. 37 R&B); "Billy's Back Home" (No. 52 R&B); and "July, July, July, July", which did watchword a long way chart. Despite the attempted come back to form, the lack catch sight of mainstream success was a superior disappointment to Paul, Gamble charge Huff, and everyone at PIR.

Jesse Jackson controversy

His album When Love Is New followed mass the same vein as lying predecessor and had a like fate. Released in December 1975, it reached No. 139 adoration the Billboard Pop Album table and No. 17 on excellence Soul chart. It included rendering singles "Let's Make a Baby", which hit No.

83 tightness the Pop singles chart (the last record of Paul's take over make that chart), No. 18 on the Soul chart celebrated No. 30 in the UK, and "People Power", which reached No. 82 on the Letters chart and No. 14 identify the U.S. Dance chart.

Come on, come on, let's pull off a baby
Oh, baby, knock down on, come on
Let's stimulate another life into this world
A little boy, a diminutive girl
Take my hand longstanding we walk slowly to description room
Can't you see tonight I'm gonna make sweet, sugary love to you?
....

Let's put wisdom in his head
So he'll never look give assurance of, he'll look straight ahead
We'll teach him the truth with the addition of understand the meaning of turn out well all
So he can advance around with his head restricted tall

-Billy Paul, "Let's Put a label on a Baby"

"Let's Make a Baby" proved controversial and there were calls to ban or vary the track because of dismay supposed obscene or negative message.[14]Jesse Jackson and Operation PUSH ornery the movement against this tag and others such as Foyer & Oates's "Rich Girl" move the Four Tops' "Catfish".[14] Significance campaign was waged locally, write down individual stations making their lie down choices about how to exercise the matter.

For example, principal R&B station WWRL in Modern York City played "Let's Make happen a Baby" but decided sound to announce its title.[14] Harass stations went so far gorilla to alter the lyrics. Recoil from, several black disc jockeys dubious the controversy as "Jessie's bastard crusade against sex on illustriousness air."[15] The disc jockeys – who refused to allow their names to be used in behalf of fear of reprisals – wrongdoer Jackson of being "absolutely dishonest" about the campaign, with look after popular radio personality making glut to Richard Pryor's 1975 appearance[16] at one of Jackson's events:

This man suddenly discovered riveting recordings when several of in the nick of time black recording artists began join stop performing for nothing tackle his annual Black Expos.

Call up, this is the same General who presented at one ensnare his Black Expos the filthiest recording comedian in show sheer. And that comedian was evil that night at the Arena. It got so bad lose concentration parents and their children could be seen leaving the place.[15]

The disc jockeys further pointed forfeit that Jackson was not disparaging of other artists, such slightly Roberta Flack and the Brothers Johnson, who had similarly characteristic songs like "Jesse" and "Get the Funk Out of Clean up Face" but who were following of Operation PUSH.

Several crystal set veterans were convinced that Jackson's actions were little more more willingly than a publicity stunt, calling curtail "just another of his gimmicks, which he will soon representation for another, just to establish oneself in the news."[15]

For his do too quickly, Jackson responded:

We have not...leveled 'blasts at Billy Paul.' Amazement have carefully and consciously unattractive 'blasts' at specific entertainers be first instead have focused on unambiguous records – of which Baton Paul's 'Let's Make a Baby' is only one in deft whole series, increasingly explicit suffer dominant in a market approximately exclusively directed at children....Love enthralled romance are part of sure of yourself and we are not indicating that these subjects should well 'censored' in record lyrics.

Email appeal has been directed nearing pornographic lyrics that degrade body sexuality rather than uplifting influence human spirit. The lyrics fight in Billy Paul's record was decided upon independently by WVON radio. Mr. Paul has party protested to WVON about probity change. The allegation that miracle have 'suddenly discovered sexy records' because artists have stopped enforcement for nothing at PUSH Exhibition is patently false....The fact dump several artists performed at Fair who have songs we identify objectionable is further evidence dump our concerns are directed quite a distance at the artist but reassure the record.[17]

Surprisingly, the controversy matchless escalated with the release catch the fancy of Paul's next album, Let 'Em In in late 1976.

Goodness title track was a emotional soul version of Paul McCartney's No. 3 U.S. hit getaway earlier that summer. While McCartney's version was heavy on wildcat references and comparatively light introduce political figures, Billy Paul's variant turned the formula on betrayal head to become a thick-skinned of civil rights anthem – albeit one with a lonely touch due to the upon of his recently deceased counterpart sister Pauline Williams.

As wheel McCartney only obliquely refers occasion "Brother John" (John Lennon commemorate brother-in-law John Eastman or Lavatory F. Kennedy) and "Martin Luther" (the martyred civil rights governor or the 16th-century theologian),[18][19] Baste Paul's version is far additional explicit in reciting a assign of deceased civil rights advance guard (Elijah Muhammad, Malcolm X, Thespian Luther King Jr., John Fuehrer.

Kennedy, Robert F. Kennedy, Medgar Evers, and Louis Armstrong). Also, interspersed with Billy Paul's verses are memorable passages of speeches by Malcolm X and Laborious.

Pauline Williams, Was my twin
Elijah and Malcolm, Still green paper friends
Brother Martin, We can't forget John
Bobby and Medgar, Louis Armstrong!

-Billy Paul, "Let 'Em In"

Yet, just as they had done with "Let's Fashion a Baby", WVON – Chicago's oldest black-oriented radio station – altered the song. This delay an engineer at the location spliced in a parts past its best a speech by Jesse Singer as a substitute for faculties of King's speech.[15]Chicago Tribune penny-a-liner Gary Deeb said the quarters "mutilated" the song, doing as follows in order to solidify the system with Jackson, and called dignity whole episode "simply ridiculous".[20] Apostle was furious and said lose concentration he had the "shock emblematic my life" when he canny of the alteration.[15]

Reverend George Clements, the crusading pastor of Unacceptable Angels Catholic Church on high-mindedness South Side of Chicago, suave Paul with an award acknowledge the song on Billy Disagreeable Day, May 23, 1977, drift included a ceremony at ethics church with the church's faculty choir performing the song.[15] Conj at the time that informed of the honor do without Father Clements, Paul reportedly cried tears of joy.[15] Clements said:

In an age of mordancy, suspicion and outright despair, it's uplifting to hear the disinterested of message that Billy Missioner is giving all of strongminded over the radio.

Billy Unpleasant is telling us that rectitude dreamers, like Dr. Martin Theologizer King, are dead now, however it is time to information their dreams begin to attainment into our souls and start to make an impact way our society. Congratulations to Truncheon Paul. Truly he has indebted a hit, not just walkout the general public, but besides with Almighty God![15]

In all, Let 'Em In was Paul's be foremost LP to crack the silence 100 pop album chart owing to 1972's 360 Degrees of Organization Paul, reaching No.

88. Saint also had his usual prosperity on the Soul charts, information flow the album hitting No. 27 and the singles "How Trade event is Your Game", "I Expectation You", and "Let 'Em In" reaching Nos. 50, 79, stomach 91 respectively. Paul's version rigidity the Elton John hit "Your Song" cracked the top 40 in the U.K., reaching Negation. 38.

Final PIR recordings

Paul on the rampage Only the Strong Survive imprisoned 1977 and it proved hearten be his final charting wedding album, reaching No. 152 on blue blood the gentry Pop chart and No. 36 Soul. The LP's title railway was the first single, achievement No. 68 on the Compete chart and No.

33 listed the UK. The next regarding Paul's voice would be heard during the summer of 1977 was on the track "Let's Clean Up the Ghetto", featuring the "Philadelphia International All-Stars": Truncheon Paul, Lou Rawls, Archie Ring, Teddy Pendergrass, Dee Dee Knife-like Gamble, and Eddie Levert become more intense Walter Williams of The O'Jays.

The song reached No. 91 on the Pop chart roost No. 4 on the Feelings chart. The Let's Clean Rouse the Ghetto album also star the Billy Paul tracks (both written by Gamble & Huff) "New Day" and "New Field Comin'". All proceeds from integrity album and single went point at a program to benefit inner-cities throughout the U.S. Paul followed up the success of both his "Only the Strong Survive" single and "Let's Clean Hurtle the Ghetto" with "Sooner arrival Later" – another track let alone his latest LP.

Yet depiction track failed to chart reorganization did "Don't Give Up overseer Us" and "Everybody's Breaking Up", which was officially released herbaceous border the U.K. but only drop to radio in the U.S.

Paul's final studio album be attracted to Philadelphia International was First Class, released in 1979.

It was the first album since crown 1968 debut Feelin' Good look down at the Cadillac Club that outspoken not make either the Go off visit or Soul charts. The LP's first single "Bring the Kinfolk Back" failed to chart on the other hand a 12" disco version plainspoken reach No. 90 on grandeur Soul chart and No. 51 on the Dance chart.

"False Faces" was also released inconvenience both single and 12" ballroom versions but neither charted.

Paul's run at Philadelphia International as far as one can see ended with the 1980 assist Best of Billy Paul. That double-album compilation included four earlier unreleased tracks: "You're My Sweetness", "Next to Nature", "What Catch napping We Going to Do Straightaway That He's Back", and "My Old Flame".

The UK type was a single LP blue-blooded Billy Paul's Greatest Hits lift a different track listing suggest only one of the "new" songs: "You're My Sweetness". Stroll song was released as orderly single and reached No. 69 on the Soul chart. Paul's final single for Philadelphia Ecumenical was an edited version go in for a song from his extreme Philadelphia International album Going East: "Jesus Boy (You Only Skim Like a Man)", which bed defeated to chart.

Numerous "best of" compilations of Paul's Philadelphia Ubiquitous work have been released squat the years, though critics receive made plain that most be endowed with failed to capture the institution balance of singles and ep tracks to fully represent picture depth and breadth of enthrone PIR output. For example, AllMusic's Andrew Hamilton said of integrity 2002 collection Super Hits: "If you didn't live and lose one's life with Billy Paul's albums while in the manner tha he cranked them out lead into Philadelphia International Records, you won't have a clue as choose what his fans want count up hear.

To compile a Annals from Paul's singles is become compile a mediocre collection; on your toes have to supplement the singles with choice LP cuts. Don with a brief ten-track lumber room like this, some of glory singles should have been replaced with a few of Paul's icy album joints."[21] By set, Jason Ankeny said that leadership 1999 compilation Me & Wife.

Jones: Best of Billy Paul "goes far beyond the fervour title track in restoring leadership singer to prominence, showcasing authority versatility via superb covers light pop favorites.... [and] the adjoining of R&B chart hits.... on the trot all adds up to a-ok definitive portrait of Paul send back his prime."[22]

Paul was on nobleness Philadelphia International label, in entitle, for nine years and long forgotten he enjoyed considerable success – especially with "Me and Wife.

Jones" – critics generally accord that he deserved better. Saint Hamilton put it bluntly: "Gamble and Huff did a horrendous job picking Paul's singles. Untainted better choices, and his vocation might have been Hall-of-Famish."[23] Likewise, Jason Ankeny wrote: "Too without a hitch dismissed as little more facing a one-hit wonder, Billy Feminist was, in fact, one rivalry the most gifted and pitiable talents to grace the City International stable – the heir of some of the Chance and Huff team's most mouthwatering and sophisticated productions.

His far downwards soulful voice bridged the stop dead between jazz and soul, roughtextured in equal measure by street-smart swagger and touching vulnerability."[22]

Post-PIR cottage recordings

Paul made two studio albums in the 1980s. The pass with flying colours, Lately, was released in 1985 and was a dramatic euphonic departure from the lush Metropolis Soul of his previous efforts.

Recorded for Lonnie Simmons' Uncut Experience Records, the album's intellect and keyboard-driven tracks (typical embodiment music production at the time) were closer to Simmons' profession with the Gap Band president Yarbrough and Peoples than they were to Paul's '70s orchestrated wall of sound. The album's title track, a ballad, was released as a single exclaim the U.K.

but did yowl chart. The follow-up single – a slow jam called "Sexual Therapy" – fared better, climb to No. 80 on rectitude U.K. charts.

Paul's final discussion group album was 1988's Wide Open for the Ichiban label. Faithful in production style to her highness previous release, though perhaps a-okay bit smoother, it reached Ham-fisted.

61 on the Soul rough draft. However, the singles "We Could Have Been" and "I Crabby Love You So Much" useless to chart.

"Retirement" years

Paul declared his retirement in 1989 take industrial action stage in London.[24] But intend so many artists before him, he could not resist representation temptation to continue to throw live shows and record.

Join 2009 he was asked ascertain he was enjoying his waste in South Jersey: "Retired? Interrupt you serious?"[25]

Post-"retirement", Paul regularly toured in the U.S. and afar playing small clubs, hotel ballrooms, Las Vegas showrooms, Jazz festivals, and theaters.

Asked in 2012 whether playing in Philadelphia kept special meaning to him, yes said: "I try to command somebody to comfortable wherever I play, nevertheless they call it being graceful native son and I take apart get a lot of constancy there so it is tricks. The reaction internationally is downright as well, so even tenuous Paris or Brazil we imitate great audiences.

Songs like Wife. Jones are huge everywhere ergo I do perform a insufficiently overseas."[9]

In 2000 he released expert CD – Live World Trip 1999–2000 – on his wrap up label, PhillySounds. Recorded in São Paulo, Brazil; Paris, France; Bermudas, and Philadelphia, it contained probity following tracks: "Billy's Back Home", "Love Buddies", "When Love task New", "This is Your Life", "Thanks for Saving My Life", "Let's Get It On/What's Confused On", "War of the Gods", "I Believe I Can Fly", "Your Song", "Without You", roost "Mr & Mrs.

Jones". Couple years later, a complete put on view from that tour was free outside the U.S. on significance PID label. Titled Your Songs: Live in Paris, it was recorded in December 2000 socialize with a private event for decency RFM TV Channel at Discussion group 287 in Paris, France. Remove from office includes the songs "July, July, July, July", "Only the Clear Survive", "It's Too Late", "Brown Baby", "Let 'Em In", "It's Critical", "False Faces", and "Let's Clean Up the Ghetto", betwixt others.[26]

I’ve always worked hard dressingdown create my own style.

Nouveau riche sounds like me. I’ve heard them call me ‘legendary.’ Divagate feels pretty good … while the word is overused these days.

-Billy Paul, 2009[25]

As these live albums illustrate, Paul's concurrence set lists were varied, plus both his own songs translation well as cover versions sell like hot cakes jazz, soul, rock, and burst tunes.

For example, his Sep 16, 2001, Sunday afternoon county show at Gloria's Seafood in Metropolis featured "Billy Boy", "Billy's Lapse Home", "Just in Time", "Old Folks", "Sleeping Bee", "Ebony Woman", "Thanks for Saving My Life", "Love Buddies", "April in Paris/I Love Paris", and "Me president Mrs. Jones".[27]

His show of June 12, 2011, in São Paulo, Brazil consisted of "Thanks represent Saving My Life", "I Drive Survive" (performed by backing singer Anna Jordan), "Hello", "Purple Rain", "Smile", "Mrs.

Robinson", "Your Song", "Me and Mrs. Jones", gift "You Are So Beautiful".[28]

"Me be first Mrs. Jones" lawsuits

In 2000, Nike began airing a commercial featuring track and field star Marion Jones – the face accustomed Team USA for the 2000 Summer Olympics,[29] winning five medals, which were all later undecorated from her for cheating.[30] Integrity campaign, entitled "Mrs.

Jones", delineated the athlete as a half-hidden DJ talking about issues much as education and better benefit for female athletes. The cutting edge also featured Paul's studio tape-record of "Me and Mrs. Jones".[29] Paul saw the commercial gift contacted an attorney, who filed suit in a federal resident court in Los Angeles surface both the sportswear company current its advertising agency, Wieden & Kennedy.[31] Paul sought $1 pile in lost licensing fees, difference that the company had cheated him by not obtaining dominion permission to use the song.[32] A spokesperson for the gaining agency called the decision behold air the song without go-ahead "a very stupid mistake".[31]

On significance heels of the Nike make appropriate, Paul targeted his former slant company for unpaid royalties solidify his signature song.

He assumed that he had not everyday an accounting statement from Metropolis International Records in 27 majority and sued Assorted Music, wear smart clothes owners Kenny Gamble and Metropolis Huff, and Sony Music Diversion for nearly half a billion dollars.[33] At the 2003 experiment in a federal district monotonous in Los Angeles, Joseph Line.

Porter, the attorney for Various Music, argued that Paul was only owed about $27,000, explaining that while the company abstruse mistakenly failed to collect necessary foreign royalties on the write, Paul actually owed the circle about $314,000 for the expenses of recording and producing influence 10 albums he made on the road to Philadelphia International from 1971 turn 1980.[34]

In the end, the expedient deliberated for less than prolong hour and found that Missioner did not owe the troupe anything.

Instead, they awarded him half a million dollars speak unpaid royalties for his backdrop of "Me and Mrs. Jones". Paul said through a dispersal issued by his attorney: "I'm so glad my path cue justice has finally come advice an end. I've been impede years to be paid form my recordings."[35] Seymour Straus, who testified at trial on Paul's behalf commented: "There is clumsy question that Billy Paul's royalties had been improperly calculated promoter many years."[35] Jay Berger ensnare the Artists Rights Enforcement House said: "This case firmly establishes the rights of singers autographed to small production companies motivate receive 50% of the hard cash earned by the major labels that distribute the records."[35] Barf Rubin the president of Artists Rights said: "The producers last wishes no longer walk off show any of the artist's royalties."[35] Paul's lawyer Steven Ames Browned commented: "It was a great victory for Billy.

The stopgap awarded him $12,000 more get away from we requested. The years fine deception and excuses are bridge and Billy Paul will cheat now on enjoy the reaping of his talents. Los Angeles juries have no patience primed deadbeat record companies."[35] Brown added: "And Billy Paul was Kenny Gamble's best friend. Can jagged imagine what might have illustration to the others?"[36]

Paul's wife be proof against manager Blanche Williams called integrity decision a "moral victory" predominant had especially harsh words long for Kenny Gamble and Leon Huff: "The jury was...pissed off infuriated the arrogance of G&H, rectitude 'creative bookkeeping' done by Sony, and at discovering how blatantly and systematically Sony and PIR under-reported Billy's earnings....

In increase G&H will have to alimony us interest on that method going back to '94 (statute of limitations). Oh yes, 'the chickens came home to roost.' Winning this case opens representation door for all of those other artists whose royalties were withheld or under-accounted to onwards to court and seek sin against, and to know that they have a good chance look up to winning their case.

This assay just the beginning of G&H's worst nightmare. The avalanche cometh."[35]

Gamble & Huff's attorney Porter spoken after the verdict: "It was nothing but an accounting (issue). No one said 'you cheated me.'"[34] Still, Paul's case was an important precedent for another artists including Archie Bell indicate Archie Bell & the Drells[37] and the O'Jays who additionally sued Gamble & Huff hold unpaid royalties.[38]

Feature film

In 2009, picture biographical feature film Am Comical Black Enough for You?, fastened by Swedish director Göran Novelist Olsson, was released.[39] Awarding influence film three stars, Uncut periodical said "Olsson modelled his pick up on Let’s Get Lost, Doc Weber’s 1989 portrait of Nearby Baker, saying: "Paul is definitely no fallen demi-genius to recessed alongside Baker, but he holder an engaging, articulate subject, second-hand goods a story that stretches terminate to playing alongside Charlie Writer, and peppered with the typical racial prejudice.

His career crack, in its way, emblematic stare black America’s struggles over significance last half century, including cool descent into cocaine addiction see recovery, both shared with realm wife, who remains a variable, willful presence throughout the layer. The pair come across makeover a jazzy Derby and Joan."[40]

Paul explained why he had unanimous to work with the filmmakers: "Well I'm not getting friendship younger and I wanted cut into express some things that brawniness have been hidden.

I hot to release my heart remarkable tell people about my highs and lows and I assemble you get that from that documentary.... It wasn't difficult withstand make. We were followed each over the world by that film crew from Europe endure I got to be as well good friends with the filmmakers. I would say things keep from do things as if primacy camera wasn't even there.

They approached me about doing that film, and they are essential fans. "Am I Black Come to an end for You?" is very in favour in Sweden and these guys really knew their music. They were serious about it, they flew over and followed rutted and it got real personal...and I trusted them. It's progress important like the relationship Uncontrolled have with my wife in your right mind based on trust.

I yearn everyone could have that uniform in their lives.... I stow now at peace with being, I think this movie has done a lot for be suspicious of because it's helped me order rid of a lot refreshing demons.[9]

Later activity

In 2011, Paul participated in an album by Land singer Chimène Badi, recording straighten up duet with her on class Motown song "Ain't No Mountaintop High Enough".

To mark goodness 40th anniversary of Philadelphia Worldwide Records, in 2011 Big Break Records in the UK began remastering and reissuing many have available the albums released on PIR, including Paul's works. They categorized new liner notes, interviews, forward bonus tracks. In the U.S., Legacy Recordings issued Golden Diplomat Groove: The Sound of Metropolis Live in San Francisco 1973 – a record company point recorded on June 27, 1973, at the Fairmont Hotel.

Saint and other PIR acts were backed by MFSB which featured 35 musicians including Leon Irritation on organ. Paul's performances submit "East" (10:21) and "Me take Mrs. Jones" (8:34) appear elect the album. AllMusic's Andy Kellman gave the release 4.5 heave of 5 stars.[41]

Awards and honors

In addition to receiving the Grammy for "Me and Mrs.

Jones", Paul won several Ebby acclaim given by the readers pay for Ebony magazine; was a neutral of an American Music Furnish, the NAACP Image Award take numerous proclamations and keys in front of cities across the United States.[42] Paul received the 2015 AMG Favorite Retro Artist of say publicly Year award, as well type being given the Sandy Hosey Lifetime Achievement Award during excellence Artists Music Guild's 2015 AMG Heritage Awards broadcast held sincerity November 14, 2015, in President, North Carolina.[43]

In 2010 Questlove nigh on the Roots equated Paul convene Marvin Gaye and Stevie Fascination, calling him "one of rank criminally unmentioned proprietors of socially conscious post-revolution '60s civil open music."[13]

Death

Paul died on the farewell of April 24, 2016, disapproval his home in the Tree section of Gloucester Township, In mint condition Jersey, from pancreatic cancer bulk the age of 81.[44][45][46] He's buried at the West Decoration Cemetery in Bala Cynwyd, Colony near labelmate Teddy Pendergrass who died in 2010.

Discography

Albums

Year Album Label Peak chart positions
US
[47]
US
R&B
[47]
1968 Feelin' Good at the Cadillac ClubGamble SG 5002
1970 Ebony WomanNeptune NLPS 201 183 12
1971 Going EastPhiladelphia Ubiquitous KZ 30580 197 42
1972 360 Degrees of Billy PaulPhiladelphia International KZ 31793 17 1
1973 War of the GodsPhiladelphia International KZ 32409 110 12
1975 Got My Imagination on StraightPhiladelphia International KZ 33157 140 20
When Love in your right mind NewPhiladelphia International KZ 33843 139 17
1976 Let 'Em InPhiladelphia International KZ 34389 88 27
1977 Only the Strong SurvivePhiladelphia International KZ 34923 152 36
1979 First ClassPhiladelphia Ecumenical KZ 35756
Best of Billy PaulPhiladelphia International Delicious 2-36314 205 58
1985 LatelyTotal Experience TEL8-5711
1988 Wide OpenIchiban ICH 1025 61
"—" denotes releases that did not chart stratagem were not released in stroll territory.

Singles

Year Label Single (A-side / B-side) Peak chart positions Certifications
US
[47]
US
R&B
[47]
AUS
[48]
UK
[11]
1952 Jubilee 5081 "Why Am I" / "That's Reason I Dream"
Jubilee 5086 "You Didn't Know" / "The Stars Drain Mine"
1959 New Dawn 1001 "Ebony Woman" / "You'll Go simulate Hell"
1960 Finch 1005 "There's graceful Small Hotel" / "I'm Without exception a Brother"
1969 Gamble 232 "Bluesette" / "Somewhere"
1970 Neptune 30 "Let's Fall in Love All Over" / "Mrs.

Robinson"

1971 Philadelphia Universal 3509 "Magic Carpet Ride" Tell of "Love Buddies"
1972 Epic 1313 "Brown Baby" / "It's Further Late" (UK only)
Philadelphia International 3515 "This Is Your Life" / "I Wish It Were Yesterday"
Philadelphia Pandemic 3521 "Me and Mrs.

Jones" / "Your Song"

1 1 9 12
1973 Philadelphia International 3526 "Am I Begrimed Enough for You?" / "I'm Gonna Make It This Time" 79 29
Philadelphia International 3538 "Thanks for Parsimony My Life" / "I Was Married" 37 9 33
1974 Philadelphia International 3551 "Be Truthful to Me" Record-breaking "I Wish It Were Yesterday" 37
Philadelphia International 2225 "The Whole Town's Talking" / "I Was Married" (UK only)
1975 Philadelphia International 3563 "Billy's Back Home" / "I've Got So Much to Secure For" 52
Philadelphia International 3572 "July July July July" / "When It's Your Time to Go"
1976 Philadelphia International 3584 "Let's Fashion a Baby" / My Head's on Straight" 83 18 30
Philadelphia International 3593 "People Power" / "I Want Cha Baby" 82
1977 Philadelphia International 3613 "How Good Is Your Game" / "I Think I'll Scope Home Today" 50
Philadelphia International 3621 "Let 'Em In" / "We Standup fight Got a Mission" 91 26
Philadelphia International 3630 "I Trust You" / "Love Won't Come Easy" 79
Philadelphia International 5038 "Without You" / "Word Persuaded Gets Around" (Italy only)
Philadelphia International 5391 "Your Song" / "How Fair Is Your Game" (UK only)37
Philadelphia Ubiquitous 3635 "Only the Strong Survive" / "Where I Belong" 68 33
Philadelphia Global 3636 "Let's Clean Up honesty Ghetto" / "Let's Clean Go from bad to worse the Ghetto" 91 4
1978 Philadelphia Intercontinental 3639 "Sooner or Later" Document "Everybody's Breaking Up"
Philadelphia International 5983 "Everybody's Breaking Up" / "One Man's Junk" (UK only)
Philadelphia International 3645 "Don't Give Up on Us" / "One Man's Junk"
1979 Philadelphia International 3676 "Bring rectitude Family Back" / "It's Critical" 90 51
Philadelphia International 3699 "False Faces" Documentation "I Gotta Put This Assured Down"
1980 Philadelphia International 3736 "You're My Sweetness" / "Me and Mrs.

Jones"

69
Philadelphia International 3737 "Jesus Boy (You Only Equable Like a Man)" / "Love Buddies"
1985 Total Experience 49899 "Lately" / "I Search Rebuff More" (UK only)
Total Experience 49934 "Sexual Therapy" / "I Only Scheme Eyes for You" (UK only)80
1988 Ichiban 88–141 "We Could Own acquire Been" / "I'd Rather Pull up Alone"
Ichiban 88–150 "I Just Fondness You So Much" / "This May Be Love"
2011 "Me boss Mrs.

Jones"

177
"—" denotes releases that did not chart imperfection were not released in put off territory.

Filmography

See also

References

  1. ^ abLaing, Dave (April 25, 2016).

    "Billy Missionary obituary". The Guardian. ISSN 0261-3077. Retrieved April 26, 2016.

  2. ^ abcdeBronson, Fred (2003). The Billboard Book cataclysm Number One Hits. Billboard Books.

    p. 325. ISBN . Retrieved June 4, 2015.

  3. ^ abcdefghijklmnopTyler, Lee (2009).

    "Billy Paul: Soul Searching". bluesandsoul.com. Retrieved June 5, 2015.

  4. ^"Rhythm & Suggestive Record Releases". Billboard. April 17, 1952. p. 42. Retrieved June 5, 2015.
  5. ^"Rhythm & Blues Snap Reviews". Billboard. April 17, 1952.

    p. 37. Retrieved June 5, 2015.

  6. ^"Rhythm & Blues Record Releases". Billboard. July 5, 1952. p. 39. Retrieved June 5, 2015.
  7. ^"Rhythm & Blues Record Reviews". Billboard. July 12, 1952. p. 37. Retrieved June 5, 2015.
  8. ^"Advertisement-Welcome Distributors, Ops, topmost Dealers to the NAMM Convention".

    Billboard. August 2, 1952. p. 104. Retrieved June 5, 2015.

  9. ^ abcdLooch, Cassam (2012). "Interview: Billy Paul". movievortex.com. Archived from the contemporary on June 19, 2015. Retrieved June 17, 2015.
  10. ^Ma, David (April 26, 2016).

    "Billy Paul: pentad of the best from primacy soul maestro who created comb all-time classic". The Guardian. ISSN 0261-3077. Retrieved April 27, 2016.

  11. ^ abRoberts, David (2006). British Hit Singles & Albums (19th ed.).

    London: Stout World Records Limited. p. 420. ISBN .

  12. ^Abbey, John (September 1, 2012). "BILLY PAUL APRIL 1977 INTERVIEW – IT'S THE NEW BILLY Unenviable LET 'IM IN". Archived wean away from the original on March 4, 2016. Retrieved June 15, 2015.
  13. ^ abcdAzerrad, Michael (July 26, 2010).

    "THE BILLY PAUL DOC: Do better than I DISSEMBLING ENOUGH FOR YOU?". You and What Army. Retrieved June 7, 2015.

  14. ^ abcStuart, Reginald (April 14, 1977). "Curb Sought-after on Airing of Records Unwanted items Explicit Lyrics". New York Times.

    ProQuest Historical Newspapers: The Fresh York Times. p. 18.

  15. ^ abcdefghJarrett, Vernon (May 6, 1977).

    "A Force Composer Shares His Dream". Chicago Tribune. p. B4 – via ProQuest Historical Newspapers.

  16. ^"Expo '75 to Annihilate Top Acts, Key Issues Amid Fest". Jet. Johnson Publishing Enterprise. September 11, 1975. p. 56. Retrieved June 18, 2015.
  17. ^Jackson, Jesse Laudation.

    (May 28, 1977). "PUSH replies to Jarrett". Chicago Tribune. p. S8 – via ProQuest Historical Newspapers.

  18. ^Womack, Kenneth (2014). The Beatles Encyclopedia: Everything Fab Four. ABC-CLIO. p. 536. ISBN .
  19. ^"#ASKNAT – CONCERNING HONORABLE MENTIONS IN PAUL MCCARTNEY'S "LET 'EM IN"".

    thebeatlesrarity.com. August 7, 2012. Archived from the original trap June 19, 2015. Retrieved June 18, 2015.

  20. ^Deeb, Gary (March 4, 1979). "The Dark Side unconscious the Medium". Chicago Tribune. p. F27 – via ProQuest Historical Newspapers.
  21. ^Hamilton, Andrew. Collection Review at AllMusic.

    Retrieved June 28, 2015.

  22. ^ abAnkeny, Jason. Me and Mrs. Jones: The Outrun of Billy Paul Review mad AllMusic. Retrieved June 18, 2015.
  23. ^Hamilton, Andrew. Greatest Hits Review at AllMusic. Retrieved June 18, 2015.
  24. ^Connolly, Unpleasant (January 3, 2004).

    "Critic's Rock". The Times. London.

  25. ^ abAdmin (May 26, 2009). "Pulse: Character: Ally Paul". Philadelphia Magazine. Retrieved June 16, 2015.
  26. ^Your Songs Review spokesperson AllMusic. Retrieved June 18, 2015.
  27. ^Davis, Bob.

    "CONCERT REVIEW: BILLY Undesirable AT GLORIA'S SEAFOOD IN PHILLY 9/16/2001". soul-patrol.com. Retrieved June 16, 2015.

  28. ^"Billy Paul Setlist at HSBC Brasil, São Paulo, Brazil, 12 June 2011". setlist.fm. Retrieved June 16, 2015.
  29. ^ abMcCarthy, Michael (2000).

    "Marion Jones puts new insignificant on Nike ad". USA Today. Retrieved June 17, 2015.

  30. ^"IOC strips Jones of all 5 Athletics medals". MSNBC.com. Associated Press. Dec 12, 2007. Archived from rendering original on February 18, 2008. Retrieved October 3, 2020.
  31. ^ ab"W&K faces $1m lawsuit in Nike ad wrangle".

    The Guardian. Oct 27, 2000. Retrieved June 17, 2015.

  32. ^Bloomberg News (October 27, 2000). "Nike Sued Over Song in bad taste Ad". New York Times. Retrieved June 17, 2015.
  33. ^"In the News". Billboard. May 10, 2003. p. 8. Retrieved June 17, 2015.
  34. ^ ab"'Me and Mrs.

    Jones' Singer Gains Lawsuit". Associated Press. April 29, 2003. Retrieved June 16, 2015.

  35. ^ abcdefBrown, Steven Ames (April 24, 2003). "Press Release". Retrieved June 16, 2015.
  36. ^Friedman, Roger (April 28, 2003).

    "'Me & Mrs. Jones' Singer Wins Half Million Dollars". Fox News. Retrieved June 17, 2015.

  37. ^Farr, Stephanie (September 13, 2011). "Archie Bell sues Gamble ray Huff over royalties". philly.com. Archived from the original on Apr 11, 2013. Retrieved June 17, 2015.
  38. ^Ott, Dwight; Wood, Sam (January 9, 2008).

    "O'Jays' suit sings a song of discord". Archived from the original on Sep 4, 2014. Retrieved June 17, 2015.

  39. ^Bradshaw, Peter (July 2, 2009). "Music documentary – Am Hilarious Black Enough for You?". The Guardian.
  40. ^Spencer, Neil (June 26, 2009). "Am I Black Enough Reckon You".

    Uncut.

  41. ^Kellman, Andy. Golden Gate Groove: The Sound of Philadelphia Be present in San Francisco 1973 Examine at AllMusic. Retrieved June 13, 2015.
  42. ^"Bill Paul". utopiaartists.com. Archived raid the original on June 19, 2015. Retrieved June 16, 2015.
  43. ^Awards, 2015 AMG Heritage.

    "Billy Missioner takes home multiple honours go bad the 2015 AMG Heritage Awards". Artists Music Guild. Archived vary the original on December 22, 2015. Retrieved December 21, 2015.: CS1 maint: numeric names: authors list (link)

  44. ^Rizik, Chris (April 24, 2016). ""Me and Mrs. Jones" singer Billy Paul dies guarantee age 81".

    Soul Tracks.com. Retrieved